Contemporary Fine Arts of Uzbekistan

نویسندگان

چکیده

At the end of 19th and beginning 20th centuries, process Europeanization Central Asian region began. A certain stagnation in development traditional culture changing socio-cultural conditions predetermined need to introduce new European forms painting, graphics, sculpture into Uzbekistan, or rather Turkestan. In 1920s, national school fine arts Uzbekistan was formed. During this decade, a unique phenomenon known as “Turkestani avant-garde” born, almost all whose representatives lived worked Uzbekistan. 1930s-50s, developing line with trends Soviet art, did not avoid contradictory dramatic processes. narrow understanding socialist realism creative method, but an artistic style, assertion normativity which gave rise set prescriptions for plastic vision, limited meaning tradition, reducing it primarily traditions Russian century, full art. 1960s-80s, search generalization took place, led approval completely different ideas. From period, pluralism various painting sets in, intensifies during Uzbekistan’s period independence from 1991 now. This article analyzes classifies main contemporary An important problem art is preserving identity era globalization while integrating modern world cultural space. The has practical applications, can be used material on Asia educational institutions programs, well implementation exhibition projects worldwide. Since mainly covered point view work specific artists, many analytical generalizations were made basis observations author’s own scientific research.

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ژورنال

عنوان ژورنال: INContext

سال: 2023

ISSN: ['2799-6190']

DOI: https://doi.org/10.54754/incontext.v3i1.32